maxi cosi expiration date Maxi-Cosi Peri 180° Rotating Infant Car Seat
SKU: 90915722331
maxi cosi expiration date

maxi cosi expiration date Maxi-Cosi Peri 180° Rotating Infant Car Seat

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Description

maxi cosi expiration date Maxi-Cosi Peri 180° Rotating Infant Car SeatThe Maxi Cosi Peri 180 Rotating Infant Car Seat brings unmatched ease to parents and safety to infants, thanks to its innovative FlexiSpin rotation technology. With a unique 180 degree rotating design, the Peri allows you to easily turn the seat to face you, making it simpler than ever to secure your little one in and out of the carno more twisting and back strain. This lightweight car seat, under 8 lbs. without the canopy and inserts, is designed for

The Maxi-Cosi Peri 180° Rotating Infant Car Seat brings unmatched ease to parents and safety to infants, thanks to its innovative FlexiSpin™ rotation technology. With a unique 180-degree rotating design, the Peri allows you to easily turn the seat to face you, making it simpler than ever to secure your little one in and out of the car—no more twisting and back strain. This lightweight car seat, under 8 lbs. without the canopy and inserts, is designed for rear-facing infants from 4–30 lbs. and up to 32" tall, so it's ideal for the earliest journeys with your baby.

Equipped with a host of convenience and safety features, the Peri 180° has TensionFix™—a unique tension-sensitive indicator that helps parents achieve a secure belt installation by showing a green signal once the belt tension is correct. The car seat also offers a 6-position headrest and harness that can be easily adjusted with one hand as your child grows, and the ClipQuik™ Magnetic Chest Clip simplifies the buckling process. Designed with comfort in mind, the Peri 180° includes extra-plush padding, a ClimaFlow™ ventilated shell, and PureCosi™ fabrics free from wool or added fire-retardant chemicals, making it a safe and cozy choice for your baby.

Key Features of the Maxi-Cosi Peri 180 Rotating Infant Car Seat

  • FlexiSpin™ Rotation: Provides 180° seat rotation for easy access and reduced back strain.
  • TensionFix™ Indicator: Red-to-green sensor shows secure belt tension.
  • Ultra-Lightweight Design: Weighs under 8 lbs. (excluding canopy and inserts).
  • QuikFit™ Harness Adjustment: 6-position headrest and harness adjust simultaneously with one hand.
  • ClipQuik™ Magnetic Chest Clip: Simplifies buckling, saving time and hassle.
  • 5 Recline Positions: Adjustable for the best fit during installation.
  • Extendable Canopy: Offers full-coverage sun protection and privacy with zip-out design.
  • ClimaFlow™ Ventilation: Helps keep baby comfortable with added airflow.
  • Safety and Stability: Includes load leg, anti-rebound bar, and LATCH connectors for secure installation.
  • Plush Infant Inserts: Provide extra comfort for the littlest travelers, machine-washable for easy care.
  • Eco-Friendly Fabric: PureCosi™ fabrics are free from wool and added fire retardants.
  • Versatile Travel System Compatibility: Works with Maxi-Cosi strollers, including Siena CP, Adorra, Zelia, and others.

Are Rotating Car Seats as Safe as Regular Car Seats?

Safety is a top priority with the Peri 180°, which is engineered and rigorously tested to meet or exceed federal safety standards. Unlike regular car seats, the Peri's rotating design adds convenience without compromising safety. The load leg and anti-rebound bar enhance stability, while side impact protection safeguards your little one. The stay-in-car base with LATCH connectors ensures secure installation, and taxi-mode belt paths make it easy to safely install without the base in ride-share situations.

What Is the Difference Between 180 and 360 Car Seats?

The main distinction lies in the rotation range. While the Peri 180° rotates 180 degrees, making it simpler to load and unload from either side of the car, 360-degree seats allow for a full swivel, typically used for transitioning to forward-facing. For parents seeking a rear-facing-only option with optimal accessibility and safety features for infants, the 180° is an ideal choice, as it focuses on the rear-facing safety benefits for early childhood travel.

Is the Maxi-Cosi Peri 180 Rotating Infant Car Seat Compatible With My Stroller?

The Peri 180° is designed to seamlessly integrate into your travel system. It’s compatible with popular Maxi-Cosi strollers, including the Siena CP, Adorra, Zelia, Maxi Taxi XT, Tayla Max, and Gia XP, offering flexibility as you transition between car rides and strolls. With the convenient one-hand release from the base, you can smoothly move your baby from car to stroller without disturbing their nap or comfort. This versatile compatibility makes the Peri 180° an ideal companion for busy parents who are constantly on the move, ensuring an effortless and comfortable experience for both parent and child.

Maxi-Cosi Peri 180 Rotating Infant Car Seat Safety Rating

Parents can have peace of mind knowing that the Peri 180° has been meticulously tested to meet or exceed federal safety standards, including side-impact protection. The car seat’s thoughtful design also includes a unique load leg and anti-rebound bar, offering added protection in the event of sudden stops.

Customer Reviews: What Parents Love About the Maxi-Cosi Peri 180 Rotating Infant Car Seat

Parents are raving about the Peri 180°’s ease of use and ergonomic design. Many reviewers highlight how the FlexiSpin™ rotation makes loading and unloading their little ones a breeze, particularly in tight spaces or busy parking lots. The lightweight design, under 8 lbs., is a major plus for parents who often move between the car and stroller, noting that it’s one of the easiest infant car seats to carry.

The TensionFix™ indicator has also received high praise, giving parents peace of mind about a secure installation. Parents appreciate the thoughtful touches like the extendable sun canopy for extra privacy, the plush infant inserts, and the ClipQuik™ Magnetic Chest Clip for quick, hassle-free buckling. With its combination of safety and convenience, the Peri 180° has quickly become a favorite choice for new families on the go.

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SKU: 90915722331

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4.7 ★★★★★
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T
Verified Purchase
T
Bozeman, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 14, 2025
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Verified Purchase
AMD
Phoenix, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 8, 2025
D
Verified Purchase
Dr.C.J.Singh.Wallia
New York, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020
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Verified Purchase
Matt M
Charlottesville, US
★★★★★ 5
Will reading Wired for Story really make you smarter?
Format: Paperback
In my 36th year as a would-be and penniless writer, I found myself exiled to a dark rough and tumble city in the Far West, guns blazing as a steely-eyed wordslinger for hire. But then one day I stumbled upon Lisa Cron's book Wired for Story. The book's title had my curiosity. A few sample pages later grabbed my attention and has held it ever since. But the price wasn't right for a poor, humble English teacher living in China upon a Chinese salary. I had bills to pay, a mistress to please, and habits to feed. It seemed to me that Amazon.com was colluding with other dark powers to suck humanity dry; why else would they charge more for a digital book than its paper copy? But then I heard ghostly voices, the cinematic intonations of Morpheus telling me to choose between the red and blue pill; Obiwan Kenobi, "Use the Force"; Nike commercials, "Just Do It!"; and other such shadows flickering upon the wall of my TV room. Even this very particular retail website seemed to whisper across all the vastness of cyberspace, reminding me of my destiny via a personalized showcase of products, that I was not just born to buy... So I added it to my cart. About a download and two chapters later I found that I was still happy after the post-purchase buzz ran its course. This book should be required reading for all writers - and anybody else seeking an inoculation against the raging pandemic of competing narratives spewed out from marketers, pundits, prophets, and others posing as guardians of the truth - most of whom seem to be more enraptured than enlightened. For writers though, Wired for Story is quite different from other "how to" books, as Lisa Cron approaches the craft of storytelling from a neuroscientific point of view. She makes the case that writers aren't just entertainers: they are some of most powerful shakers and shapers of human perception. So if storytellers are like snake oil salesmen, then what is the difference? Both seem to be highly skilled in crafting story, using imagery, and evoking emotions, memories, desires. The difference is all about marketing. Salesmen claim to have knowledge, skills, and expertise, that they, and they alone have whatever it takes to get the facts right and fix things. They market their brands cloaked in story, as if they have a monopoly on truth, or at least the can-do spirit and problem-solving experience needed to improve the economy, save the world, whatever. It doesn't matter that time and time again reality proves them wrong; they will always have another story to spin. The difference between those who would use the power of story to express themselves versus those who would use it for personal gain is, perhaps, a fine red line marking the shadowy borders of between ethics and morality. Storytellers differ because they use words to hook audiences and manipulate a willing reader's central nervous system. They make no claims to knowledge or expertise. Indeed, fiction writers will be first to emphasize their work is fictional, and not based on any real life events or people. Their best writing leaves readers thinking, questioning, minds opening, empathizing, expanding their worldviews, the list goes on almost ad infinitum. Storytellers speak for themselves and let audiences think for themselves; pundits speak for others and tell audiences what to think. What's more, the art and craft of story, as well as the talent and hard time in solitary confinement required for their honing, is estimated to take an average storyteller at least 1,000,000 words or 10,000 hours - not including all the reading, language arts development, and life experience necessary to get to a point one needs to seriously embark on such a ludicrous and un-economical vocation. This means that fiction writers who risk everything for dubious prospects of financial reward must have something else driving them - and a good day job. A presidential candidate though, who has genuinely done the time, and crafts speeches with the skill of a poet or bard, should hypothetically have the critical thinking background, moral authority, and empathy to be a great leader. But in the final analysis, actions contradict words; their ability to spin tales proves the old universal theme that the pen is mightier than the sword. Now when I finish Wired for Story sometime this week, I will be one step further on this endless quest to actually sell stories for a living (i.e. stories fit for the fiction aisle of an actual bookstore, not a review for an online retailer). Until then, I'm probably just a hypocrite acting as if a single book alone makes a smarter man, when in fact I know little of anything (which is why I became a writer in the first place) -- or maintaining such a humble pretense. But I don't know myself well enough to be certain. That kind of exploration would be a whole other story - but it would be unsafe to say that I lived happily ever after reading this book. The End
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Reviewed in the United States on October 11, 2012
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arch_reviews
Natrona Heights, US
★★★★★ 4
A Cheeky Novel about writing cheeky novels
Format: Paperback
Wired for Story is a book full of solid, albeit basic, advice for story tellers, and in particular writers trying to develop their craft. It succeeds in some areas while falls down in others, however I found it solid and well written overall. Where it succeeds is in its brevity and clarity. The author gets right to the point and even provides short lists at times of what to do and how to do it. Her writing is also peppered with cheeky humor which is humorous in a thats-almost-funny kind of way that is refreshing compared to the textbook style adopted by many how-to-write books. Where the book fell down, for me, was in its limited examples and scope. It really felt like the author was addressing romance writers, for the most part. I could think of a few counter examples to some of her rules, although one would have to leave the romance genre for those to work. But for a 230 page book, that is minor discrepancy. The second thing I noticed, which has already been pointed out by others, is that the brain science was limited. In fact, it was mostly only refereed to in footnote. Personally, that was fine with me, but I could see why it made others feel misled (it is in the title, after all).
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 5, 2014

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